An expensive easy copyright oversight

An expensive easy copyright oversight

Cautionary Tale: How an author's copyright oversight led to a costly KDP crisis.

For many self-publishing authors, Amazon offers an excellent route to publish their stories and build a passive income stream. However, not understanding and falling foul of the rules regarding copyright can switch off an otherwise rewarding income stream. It is vital that we all understand the importance of copyright ownership when it comes to publishing, online or otherwise.

We recently learned of an independent author who self-published a best-selling book, that had generated several tens of thousands of US Dollars in income, before suddenly, out of the blue, the book was taken off sale. Not only was her book taken off sale, Amazon also suspended and subsequently terminated her account! Why? - because when she was asked, she couldn't supply proof of copyright - she couldn't provide ownership of the image!

The author had used her pro-subscription of Canva, mistakenly believing that she owned the copyright of the image she generated. When challenged, Canva confirmed that she was only entitled to the commercial release and use of that image, and as such, it was not true ownership of the image.

Amazon KDP's terms and conditions clearly state that by uploading their book, they are affirming that they own the copyright of the book and its content, both the text and the images used. In this case, she couldn't prove ownership of a specific element on her book cover. To make matters worse, Amazon didn't specify which element was the culprit, forcing the author to painstakingly investigate, backtracking over files, downloads, terms and conditions. She eventually pinpointed the problem, an artist's element on her cover that required a separate commercial licence she didn't possess.

To rectify the situation and get her successful book back on sale, the author had no choice but to take matters into her own hands. She creatively recreated the problematic background element herself using photography, and placed her image on top of a new AI generated background. Embracing new technologies, she even leveraged AI to prompt a new background, ensuring she held the copyright for the recreated version of her book, which is now successfully back on sale again, and her income resumed.

This experience underscores a vital lesson for anyone publishing via Amazon KDP, and that is originality is key. Authors should consider hiring an artist or using AI image generation generate original designs if books contain any elements without clear copyright ownership. While the various laws regarding AI generated content are still evolving, particularly regarding copyrighting AI work, the core principles remain...

  • to protect your own intellectual property
  • not use the intellectual property of a third party without permission.

Navigating copyright challenges graph for badman publishing

Ultimately, understanding and actively taking ownership of your copyright is not just about avoiding penalties; it's about safeguarding your income streams and building a sustainable, profitable brand on platforms such as Amazon.

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The Salt Path – Not quite as it seems?

The Salt Path – Not quite as it seems?

The Salt Path Saga: From Inspiring Memoir to Scrutinised Narrative

The story of Raynor and Moth Winn, as told in their bestselling memoir The Salt Path, and adapted into a movie, is said to have captivated millions of readers and viewers around the world. The story painted a vivid picture of resilience: a couple in their fifties, rendered homeless and facing a terminal diagnosis, embarking on an epic 630-mile trek along the rugged South West Coast Path, finding solace and healing in nature's embrace. This powerful narrative of triumph over adversity quickly resonated with the audience, turning the book into a literary success story.

However, behind the widespread acclaim and heartwarming reception, a more complex and, for some, troubling reality has begun to emerge. Recent investigations have peeled back layers of the published account, raising significant questions about the actual facts behind the key elements presented in the book and film.

The core of the initial narrative centred on the Winns' sudden homelessness following a disastrous investment and Moth's diagnosis with corticobasal degeneration (CBD), a rare and incurable neurological disorder. Their subsequent decision to wild camp along the English coastline was portrayed as an act of desperation that unexpectedly brought physical and mental salvation, even seemingly, somehow improving Moth’s health against medical expectations.

However, inquiring journalists looking for a story, drawing on accounts from former friends and family members, have introduced details that challenge the original story. It has been suggested that the couple's financial woes may have deeper roots than a single unfortunate investment, reportedly involving past legal issues and significant debt stemming from alleged financial improprieties. Furthermore, the timeline and progression of Moth's illness as described in the memoir have come under a microscope. Experts have noted that the depicted periods of marked improvement, followed by decline and then renewed vigour, are inconsistent with the known trajectory of CBD, a condition characterized by irreversible, continual, and progressive degeneration. Claims that Moth has remained largely well for nearly two decades since the initial diagnosis have further fuelled these doubts.

These revelations have inevitably sparked a discussion among readers and critics about the nature of memoir itself. While autobiographical works often involve subjective recollection and narrative shaping, the extent of the alleged discrepancies in The Salt Path has prompted discussions on ethical boundaries in non-fiction storytelling. For many who found profound inspiration in the Winns' journey, the idea that fundamental aspects of their struggle might have been significantly altered or misrepresented has led to feelings of disillusionment.

Despite these controversies, the cultural impact of The Salt Path remains undeniable. It has shone a spotlight on the beauty of the South West Coast Path, encouraged engagement with nature, and sparked conversations about homelessness and resilience. The unfolding story of The Salt Path now serves as a compelling case study on the public's engagement with "true" stories, highlighting the delicate balance between inspiring narratives and the complexities of lived experience. 


If you want to learn more about this saga, Journalist Chloe Hadjimatheou has written an excellent, in-depth report for the Observer, "The real salt path how the couple behind a bestseller left a trail of debt and deceit."


Image by: A coastal path in Cornwall England by Viktor Smith.

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Who wrote the earliest dystopian novel?

Who wrote the earliest dystopian novel?

The earliest dystopian novel

220px Weyevgenyzamyatin

The earliest dystopian novel is generally considered to be "We" by Russian author Yevgeny Zamyatin, published in 1924. This novel predates well-known dystopian works like Aldous Huxley's "Brave New World" (1932) and George Orwell's "Nineteen Eighty-Four" (1949)

Yevgeny ZamyatinYevgeny Zamyatin is said to have drawn from his experiences living through the Russian Revolution and the early Soviet regime. The novel was completed in 1920 and was initially banned in the Soviet Union due to its critical stance on totalitarianism and collectivist ideologies. It was first published in English in 1924, making it one of the earliest known dystopian novels.

The Plot

"We" is set in a highly controlled future society called the One State, ruled by a dictator known as the Benefactor. The story is narrated by D-503, a mathematician and chief engineer of the spaceship Integral, designed to conquer and bring enlightenment to other planets. In the One State, citizens, referred to as Numbers, live under strict regulations with every aspect of their lives controlled, including their personal relationships.

The plot revolves around D-503's growing disillusionment with the One State as he becomes involved with a revolutionary group led by I-330, a woman who introduces him to ideas of individuality and rebellion. Through his interactions with I-330, D-503 begins to question the ideals of the One State and grapples with concepts of freedom and humanity.

Critical themes explored

"We" explores several critical themes that have become staples of dystopian literature:

    • Totalitarianism:
      "We" portrays a society where the state exerts complete control over every aspect of life, suppressing individuality and enforcing conformity.
    • Surveillance:
      The "One State" employs constant surveillance to maintain control, a theme that resonates with later works like George Orwell's "Nineteen Eighty-Four."
    • Individuality vs. Collectivism:
      D-503's struggle represents the conflict between individual freedom and the collective will imposed by the state.
    • The Role of Technology:
      "We" also highlights how technological advancements can be used to manipulate and control society.

The Literary Effect

"We" is not only a pioneering work in dystopian literature but also a critical commentary on the political and social dynamics of Zamyatin's time. Its innovative narrative style and exploration of dystopian themes have secured its place as a foundational text in the genre. (Unknown)

It appears that "We" had a profound influence on later dystopian works. Aldous Huxley's "Brave New World" and George Orwell's "Nineteen Eighty-Four" both appear to draw inspiration from Zamyatin's portrayal of a dystopian future. Orwell even acknowledged the impact of "We" on his writing.

Acknowledgements & Hat Tips

Authors: The Badman Publishing team ©
Image: Featured image by Desktop Dan
Further reading: More about "We" at Wikipedia and "The Week" Magazine

Free chapter of The Bootlegger of Illinois

The Bootlegger Of Illinois On Tablet And Print From Dadman PublishingExplore the story of two men with different ideals and purposes but both strong and courageous trying to survive and prosper in prohibition era American state of Illinois.

When their worlds meet, violence is unleashed. Jesse has to pushback against the mobsters and bloodshed in his neighbourhood has him travelling to the City to deal with the mob boss to protect his friends.

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Killing Moon

Killing Moon

“This killer will get inside your head” When a body is found in the forest, the police make a horrifying discovery: her scalp has been removed and sewn back on. But they have no idea why. With a second woman reported missing, detectives fear their worst nightmare has come true.

Coming to this book having read all the previous – and that is the best way, otherwise a reader would get lost in the relationships and how Harry Hole came to be what he is. Lots of good stuff – I enjoyed the putting together of a team to investigate – very The Sting/Oceans’ Eleven. What I disliked – the length of the book because of all the pages on Harry’s battle with alcohol and the discussions on music between the characters. I felt this is an overindulgence on the part of the author.

Lots of tension – which means one wants to get through the book to see who survives and who the killer is. It is not a whodunnit but a whoisit book – we get to follow the murderer, identified by a nickname as Prim, but not his real identity or motive until quite late. Lots of misdirection, making it hard to have a stab at solving the mystery.

Lastly, with hindsight, I would have made a Dramatis Personae inside the cover, to keep tabs on all the characters – all those Norwegian names and two very similar, I got confused at times.

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The Milan Contract

The Milan Contract

An exciting newcomer to thrillers. The intriguing plot of a hit in Milan and the confusion caused by the victim having a double, also staying in the same hotel. So which of them was the intended target?

Detective Raphael “Raffy” Conza does not want the investigation at first, leaving it in the hands of another police department. However, as things come to light, he gets interested. The trail moves around Europe and a complex web of cover-ups is revealed in time. The pace of the story, the movement back and forth between the characters keeps the reader engaged (and caring for some of the people).

Stephen demonstrates a great knowledge of several subjects and uses it to provide a high-class crime novel.
If the team that made “The Night Manager” were to grab this, we would all be treated to a high quality tv season worthy of it.

Stephen Franks can be followed on Good Reads for more. https://www.goodreads.com/author/show/21055051.Stephen_Franks

The book can be purchased at https://www.amazon.co.uk/Milan-Contract-Gripping-Intrigue-Betrayal/dp/1838396209/ref and all good booksellers.

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Patrick Stewart’s “Making It So”

Patrick Stewart’s “Making It So”

A review of Patrick Stewart’s memoir “Making It So” – a review by independent author and screenwriter Keith Lawson

Not a book to satisfy everyone. If coming to it as a Star Trek fan there is potential disappointment how little of that is covered, despite the bait of the title. no, it is a book of “luvvies”- the theatrical world, Patrick’s first love.

I found the early life interesting – for my age (73) there was a lot I could relate to and understand this social history of postwar Britain. Another aspect to reflect on is the long, hard and dedicated path PS took to fulfil his career. These days, a season on a Reality TV show and one is immediately a “celebrity”. Not so back then. The studying to become an actor, the auditions, the rejections, then the small parts, working towards a desired larger role. It is all here. Again, my age means I recognise the references, the names dropped. A younger person reading this may well struggle. It is written by a luvvie – love of fellow actors, love of the craft, love of theatre. Another missing thing today – how many theatres don’t do plays, opting for musicals, stand-up and one-person talk shows. Where have the repertory companies gone – that nursery of talent? So there is a lot of nostalgia for those times but they will seem strange to a young, modern-experienced person.

It’s a long book. In parts, it seems to be those late-night chat show interviews – personal stories and anecdotes and name-dropping (PS loved almost everyone he worked with, hardly anyone gets a slating).

In summary, more likely to appeal to a mature person, lover of theatre, less for Trekkies and X-Men fans.

Keith Lawson Crime Novelist And Screenwriter Roundel With Window Light Plus Text At Badman Publishing Independent Writers And Authors Group Club And Community

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Introducing DCI Harry Morgan

Introducing DCI Harry Morgan

Keith Lawson’s novel chronicling three cases investigated by DCI Harry Morgan is based on real-life locations in and around Bournemouth and Poole.

Harry Morgan, a widower, is a Detective Chief Inspector with Dorset Police, based in Bournemouth. He leads a small team in CID, his sergeants DS Andy Robbins, DS Petra Polanski, and DCs Phil Harding, Alison Baker, and Dave Wilkins.

The first crime they investigate is the murder of sex worker, Mariana Gosling, who died in what looks like a Voodoo ceremony. To unravel the mystery and catch the Voodoo Killer requires skilled police work and forensics, but not without putting Harry and Phil Harding in mortal peril.

Case No. 2 is less dangerous but still very puzzling. A burglar is targeting prime properties in the deluxe suburbs of Sandbanks and Canford Cliffs, leaving little evidence of how he (or she) accesses the properties. Solving the crimes is a big surprise to the team.

Case No. 3 requires solving a murder in a crowded office. How did nobody notice?

Written in a faux memoir style, modelled on genuine police memoirs. Will appeal to those who enjoy Midsomer Murders, Shetland, Dalgleish, Vera, A Touch of Frost.

Credits
Author: The Editor
Image: Original Bournemouth photo by Jack Pease on Flikr

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